Working primarily with photographs, both archival and my own, I reassemble images through handwoven textiles that evoke the quiet, fragmented nature of memory. The practice comes from a deeply familiar place. Both of my grandmothers taught me to knit and sew as a child, while my earliest photographs were of family members and the spaces we shared.

I often work with archived family photographs, particularly images from the 1960s and ‘70s, considering how these visual artifacts carry meaning across generations. Time distorts, preserves, and reshapes memory and identity; through weaving, I physically fragment and reconstruct photographs in much the same way.

I continue to be inspired by the tactile, slow nature of fiber and the nostalgia inherent in photography, a medium I first fell in love with as a teenager in my high school darkroom. Weaving allows me to bring physicality and texture to images that might otherwise exist only as flat or digital forms, transforming the photograph into an object that bears evidence of time, touch, and reconstruction.

I currently create original woven photographs and collaborate with clients on custom pieces.

Each textile work is woven by hand with care and a lot of love.